The Call by Kurt Rosenwinkel Kevin Hays Seamus Blake Bill Stewart (CD, 1993)
yourglobalmall (52092)
97.2% positive feedback
Price:
AU $29.65
Free postage
Est. delivery Fri, 5 Sep - Wed, 8 OctEstimated delivery Fri, 5 Sep - Wed, 8 Oct
Returns:
30-day returns. Buyer pays for return postage. If you use an eBay postage label, it will be deducted from your refund amount.
Condition:
Brand newBrand new
Seamus Blake Quintet: Seamus Blake (tenor & soprano saxophones); Kevin Hays (piano); Kurt Rosenwinkel (guitar); Larry Grenadier (bass); Bill Stewart (drums). Personnel: Seamus Blake (soprano saxophone, tenor saxophone); Kurt Rosenwinkel (guitar); Kevin Hays (piano); Bill Stewart (drums).
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
Record LabelCriss Cross
UPC8712474108824
eBay Product ID (ePID)7050207575
Product Key Features
FormatCD
Release Year1993
GenreJazz
Run Time75 Mins 57 Seconds
ArtistKurt Rosenwinkel, Kevin Hays, Seamus Blake, Bill Stewart
Release TitleThe Call
Additional Product Features
DistributionCity Hall
Number of Discs1
Country/Region of ManufactureUSA
EngineerMax Bolleman
Additional informationSeamus Blake Quintet: Seamus Blake (tenor & soprano saxophones); Kevin Hays (piano); Kurt Rosenwinkel (guitar); Larry Grenadier (bass); Bill Stewart (drums). Recorded on December 24, 1993. Includes liner notes by Bret Primack. Personnel: Seamus Blake (soprano saxophone, tenor saxophone); Kurt Rosenwinkel (guitar); Kevin Hays (piano); Bill Stewart (drums). Liner Note Authors: Bret Primack; Seamus Blake. Recording information: RPM Studio, New York, NY (12/24/1993). Photographer: Ron Schwerin. Tenor saxophonist Seamus Blake, who was 24 at the time, is in excellent form on this creative post-bop set. He is teamed with the atmospheric and inventive guitarist Kurt Rosenwinkel, pianist Kevin Hays, bassist Larry Grenadier, and drummer Bill Stewart on seven originals (including "Nobody's Song but His Own," "Mercy Days," and two versions of "Vanguard Blues"), "Prelude to a Kiss," and "Smoke Gets in Your Eyes." At this early stage in his career, Blake already had a pretty original sound on tenor and a good tone on soprano. One of the highpoints of the set is "Zydeco," which, although sounding nothing at all like zydeco music, features some particularly passionate playing from Blake. Recommended. ~ Scott Yanow