Additional information
Linkin Park: Mike Shinoda (vocals, programming, samples); Chester Bennington (vocals); Brad Delson (guitar, bass, background vocals); Rob Bourdon (drums, background vocals); Joseph Hahn (turntables, programming). Additional personnel includes: Ian Hornbeck, Scott Koziol (bass); The Dust Brothers (programming). Recorded at NRG Recordings, North Hollywood, California. "Crawling" won the 2002 Grammy Award for Best Hard Rock Performance. At the turn of the 21st century, as nu-metal neared its peak in mainstream popularity, the next generation of bands began to emerge, influenced by that scene's unhinged anger, pummeling metallic riffs, and hip-hop flourish. Of those groups, Californian crew Linkin Park rose to the top of the pack with their boundary-busting approach to the genre, which they debuted on their first effort, Hybrid Theory. Released in late 2000, the album took the basics of rap-metal fusion, discarded the lug-headed posturing and cartoonish profanity, and expanded its scope to include atmospheric electronics, a pop-savvy attention to hooks, and confessional lyrics that balanced angst with vulnerability. Anchored by the effortless interplay between throat-shredding vocalist Chester Bennington and emcee Mike Shinoda, the sextet also featured the talents of guitarist Brad Delson, bassist Dave "Phoenix" Farrell, drummer Rob Bourdon, and programmer/DJ Joe Hahn, the behind-the-scenes wizard on the turntables (who has his own moment to shine on "Cure for the Itch"). Together, they crafted a taut set of deviously catchy and relatable anthems that quickly connected them to a legion of fans who craved more emotional depth in their heavy music. On breakthrough single "One Step Closer," a seething Bennington showcased his wide range -- which whips from a pained whisper to a feral roar -- as Hahn wildly scratched and scrubbed on the turntables, mimicking the turmoil and angst in Bennington's lyrics. "By Myself" and "A Place for My Head" operate on a similar level, unleashing Bennington's bloody shrieks upon Shinoda's aggressive rhymes and a band united as a fine-tuned melodic unit. Later, on "Points of Authority," atop Hahn's explosive effects, Bennington's rage hits another peak, confronting the one who sexually abused him as a child. Such heavy lyrical content forms the core of Hybrid Theory, creating a cathartic outlet for those who can relate to struggling with addiction (the Grammy-winning "Crawling"), paranoia ("Papercut"), failed relationships ("Pushing Me Away," "In the End"), and much more. The combination of emotional bloodletting and gifted songwriting resonated with the public, and Hybrid Theory was soon an international, diamond-certified smash, catapulting Linkin Park to worldwide fame. However, before becoming one of the most beloved bands of the 2000s and 2010s, they were a group of hungry unknowns who sought to try something new with their hybrid approach to genre and human emotion. ~ Neil Z. Yeung
Reviews
Q (1/03, p.56) - Included in Q Magazine's "100 Greatest Albums Ever" Q (1/01, p.111) - 4 out of 5 stars - "...Giving angst-ridden rock...an effective electronic spin....Throw in the contrasting vocal interplay of gruff rapper Mike Shinoda and crooner Chester Bellington, hooks you could land a whale with and Fred Durst-style earnestness and [the group] shine like the proverbial diamond in excrement..." CMJ (11/20/00, p.22) - "...a solid hit machine, combining the catchy with the crisp, the melodic with the monstrous..." Melody Maker (11/14/00, p.51) - 4 stars out of 5 - "...An absolutely storming debut....packing more punch than Lennox Lewis armed with a rolled up copy of well...Punch....Award this album the red baseball cap of merit..." NME (Magazine) (1/13/01, p.35) - 6 out of 10 - "...There is innovation here..."
