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Reviews (2)
10 May 2018
Classic Tube Screamer Tone. Small Footprint. Great Price.
4 of 4 found this helpful I have one of these sandwiched in between my TS9 Tube Screamer and my compression sustainer on my signal chain. I set it to a lower gain than I set my TS9 as I feel like the TS9 is a little rounder when the gain settings are higher. So I use the Mini for some added crunch when I am playing chords and the TS9 for heavier riffs and some mild lead. When I really want to push that creamy, smooth, velvety overdriven distortion reminiscent of a Trey Anastasio kind of a tone, I play them stacked on top of each other. They fill in the gaps in the wavelengths for each other and really gives that full, milky feel. My understanding is that the Mini has a circuit more similar to the TS808, and in unison with the TS9, I get the sound I am looking for. The price is great. The footprint is small. And the tone is what you would expect of ANY Tube Screamer, regardless of model. So, if you are a beginner looking for that Tube Screamer tone, but don't want to drop that $175 on a TS808, or you are a professional gigging musician looking to make you pedal board a little more manageable, this little stomp box will work for you. Can't go wrong with this pedal.
30 April 2016
Buttery smooth for their "lower end/no frills" model.
I came across one of these for sale used a little while ago. Couldn't be happier with the performance of this amp. It can be a little pricey (as can anything with the name Paul Reed Smith on it can be) but it lives up to the billing. Silky smooth tone that is warm and round. The two channels are distinct but can give a little overlap to give a nice transition from clean to lead. The clean channel has great, twinkly, crisp, articulate sound that when mixed with a little of that reverb sounds quite ethereal on it lower gain settings and it can be pretty crunchy if you turn up the gain and dial back the master volume. Great for that bluesier kind of sound that I dig for my rhythm. The lead channel goes from crunch to grimy yet velvety distortion that goes all the way from a little less than metal when cranked, to that silky smooth "Trey Anastasio" from the Divided Sky kind of feel. I don't think this is really a metal head kind of high gain kind of amp. But that makes me no difference as I don't really play much of that anyway. It didn't really take too long to figure out how to dial in the tone I wanted either. The controls are pretty straight forward and laid out in a way that just makes since. I would suggest throwing a volume pedal in the effects loop if you want to practice indoors as it can be a bit loud if you want the tone that it is capable of generating. This tone is pretty unique onto itself. If you are looking for a "sounds like" type of amp this may not be it and for the money you may as well get a "real" Fender or a "real" Marshall or Vox. But, for being its own entity, it certainly will give you a sound that not many others have. If you like effects, you will have to add them as this really only does the two channels and the reverb, but it takes my pedals well and does have the loop option if you are into that. All in all, this is probably top two or three amps (for my ears anyway) that I have played thru. I started playing when I was 18 and I am 41 now.