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Reviews (2)
11 May 2024
many thanks
many thanks
03 September 2008
An American Master Crosses All Musical Boundaries
3 of 3 found this helpful As a long time Eva Cassidy fan this album caught me off guard. It is not the smooth flowing series of ballads one would expect from this singer yet in many ways it just could be something better! The album is a direct response to recording companies who originally tried to limit Eva to one type of music. Eva had the ability to master Standards, Country, R&B and Folk and herein lies the proof.
Fans of Eva's cover of "Fields Of Gold" will be quick to internalize the heartbreak in "A Bold Young Farmer", sung with trademark vocals which attack the nervous system faster than any virus known to man. Another folk selection, "Red Red Rose", is a close second in this emotional breakdown category because it is sung more true to it's origin as a Burns poem than as a bold ballad. This rose is a true love letter sung as if written on parchment.
The award winning album, Live At Blues Alley, might have been even better had it included two songs from this new album. "Ain't Doin' Too Bad" retains her vocals from the historic Jan 3, 1996 appearance while also adding a new backing by original band members plus a horn section. If you ever wondered what Eva would have sounded like accompanied by the full complement of musicians she deserved this is the answer. Fans of the band will applaud the piano introduction by Lenny Williams, Keith Grimes's guitar solo and Raice McLeod's "made to order" drums. Chris Biondo, Eva's long time producer and band member (bass), is superb in his producing of this track.
Eva's country music fans will immediately notice the Dolly Parton song, "Coat Of Many Colors", and an americana version of Don Hecht's "Walkin' After Midnight". In both songs, Keith Grimes offers sublime support on guitar.
Eva sings without the safety net of her regular band in "Early One Morning". The album liner notes contain a photo of Eva's handwritten lyrics offering the first of two songs that indicate her skills progressed far beyond interpretation. Dobro and slide guitar work by Rob Cooper are perfect complements to Eva's vocals.
Reinventing American Popular Song Standards was one of Eva's most unusual skills. Those who applaud her treatment of Irving Berlin's "Cheek To Cheek" on the Blues Alley release will quickly agree that she has pulled another musical rabbit out of a tophat with her version of the Gershwins "Summertime". This take is one that sits so easily under a shade tree that you will spend hours trying to think of similar versions. Don't waste your energy. Eva's folk based interpretation is a true original.
Any discussion of Eva's potential as a songwriter is now closed with the addition of the recording's title song, "Somewhere". Co-written with Chris Biondo (music), Eva's lyrics are far from casual and suggest a longing for love that may also apply to her need to create music..."and I like an arrow straight for love I went again". Fans of Eva Cassidy will only understand her full creative force when they hear this song complete with her own multi-voice background vocals, dynamics that change within verse, and phrasing that always finds the maximum emotion. To borrow from the lyrics, "for a moment or for a lifetime" this is Eva Cassidy.