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Reviews (4)
21 January 2025
A classic and accessible strategy game
A great original game concept, absorbing and will not play the same way twice.
30 March 2010
Dated but Bearable 80's Sci-Fi
This 80s-era action flick of the "robots in rebellion" sub-genre is unfortunately peppered with far too many clumsy touches that date it solidly to its production period, which is problematic in a science fiction film. This rather blind eye for anachronism and a noticeably cheesy script are overcome to an extent by credible performances by Tom Selleck as a robot-hunting LA cop and rock star Gene Simmons (KISS) as the villainous scientist behind household robots that inexplicable begin murdering their human masters. The movie also features an extended appearance by Kirstie Alley that suddenly and violently ends, which is somewhat merciful as she never quite manages to overcome the vapid dialogue and silly role the director has stuck her with. While this film pales in comparison to highly stylized efforts like "Blade Runner" or "Alien", Selleck's earnest performance and Simmon's game and surprisingly astute turn as a Velveeta villain make this film bearable and even engaging at times.
30 March 2010
An Early Terror-Action Gem
A tightly directed, sleeper action thriller starring Rutger Hauer ("Blade Runner", "The Hitcher") and Gene Simmons (the bass player from seminal glam band KISS). Also featured are Robert Guillaume ("Benson") and Mel Harris ("Desperate Housewives") in her first film appearance. This is a follow-up to the television series of the same name starring Steve McQueen. Hauer delivers the goods with a standout performance in an anti-hero role, playing the son of the TV protagonist who--after a stint in the CIA--follows in his father's footsteps as a bounty hunter, squaring off against Simmon's diabolically portrayed Palestinian militant in this early exploitation of terrorism as fodder for the action genre. The solid plot, taut pacing and frequent cynical humor keep this film entertaining from start to finish, and the lack of the CGI overkill one finds in many contemporary offerings helps it stand out a bit from the rest of the class.